WAY MODEL A/W 2011 PACKAGE



"Way Model Management can always be counted on for quality. Their flawless lineup includes some of the top beauties in Brazil; from editorial superstars like Carol Trentini and Alessandra Ambrosio, to rising stars likeGracie Carvalho to the inimitable Lea T, making her Brazilian shows debut. Top tier girls aren’t the only cause for excitement, the men of Way are every bit as appealing with Michael Camiloto and Marlon Teixeira lending their runway expertise. With a roster this dynamic Way is certain to dominate the runways of Sao Paulo fashion week yet again this season. (Cards designed by graphic artist Romeu Silveira)"

MODELS.COM

"My favorite showcards this season in Brazil come from Way Model Management. The agency invited prodigy graphic designer Romeu Silveira, responsible for U Mag and From Brazil With Love, to do the artwork on the cards for the fall shows in Brazil in January and the result is pretty stunning. View more showcards after the jump."

MADE IN BRAZIL

DAILY @ FFW

LONGING. LONGING FOR A WAVE OF LOVE THAT WOULD STIR IN ME. THAT’S WHAT MAKES ME CLUMSY. | THE ABSENCE OF PLEASURE | MAD ABOUT THE BOY BY DAVID ARMSTRONG



using images from
MAD ABOUT THE BOY exhibition
by DAVID ARMSTRONG

“David Armstrong is planning something of a reshuffle at his Brooklyn home. The Massachussetts-born photographer, renowned for his intimate, fragile and nostalgic portraits of young men (which have been exhibited at the Whitney and the Hamburger Kunsthalle), has amassed so many negatives in the 32 years since he moved to New York that he is now spending a lot of his time editing, reviewing and organizing his work. “The house is just so full of stuff now, and something has to be done,” he says. “I was photographing manically in the last three years, and right now I’m retrieving and looking at all the stuff.” His latest show, Mad About the Boy, at New York’s Half Gallery—selections from which we exclusively preview today—reflects Armstrong’s retrospective urge, bringing together images from the 70s to the late 2000s to focus on four of his most photographed muses. On first glance, the shots almost seem contemporaneous—such is the strange, wistful singularity of Armstrong’s vision. But time has had subtle effects on Armstrong’s work: his earliest shots are of friends and lovers, while recent portraits, informed in part by his work in fashion (including editorials for Vogue, Self Service and Arena Homme+) during the 2000s have a more—as he puts it—“sublimated” sensuality.”

NOWNESS

STYLING CONSIDERATIONS | WILLY CARTIER & ABIAH HOSTVEDT BY VICKY TROMBETTA | LURVE #4

MAISON MARTIN MARGIELA

EXPERIENCE ON MARIACARLA, VOGUE ITALIA
styling by PANOS YIAPANIS
photography by STEVEN MEISEL