FROM BRAZIL, WITH LOVE STUDIO: April 2011

“The Persistence of Memory. An empty beach with its fused sand. Here clock time is no longer valid. Even the embryo, symbol of secret growth and possibility, is drained and limp. These images are the residues of a remembered moment of time. For Talbot the most disturbing elements are the rectilinear sections of the beach and sea. The displacement of these two images through time, and their marriage with his own continuum, has warped them into the rigid and unyielding structures of his own consciousness. Later, walking along the overpass, he realized that the rectilinear forms of his conscious reality were warped elements from some placid and harmonious future.”

ATROCITY EXHIBITION, J.C Ballard.

FROM BRAZIL, WITH LOVE STUDIO

AS A SMALL CHILD, I FELT IN MY HEART TWO CONTRADICTORY FEELINGS, THE HORROR OF LIFE AND THE ECSTASY OF LIFE | CHARLES BAUDELAIRE | PHOTOGRAPHY BY RJ SHAUGHNESSY

YOU'RE A YOUNG GIRL, YOU SHOULD BE AT HOME. YOU SHOULD BE DRESSED UP, GOING OUT WITH BOYS, GOING TO SCHOOL, YOU KNOW, THAT KIND OF STUFF

DARIA WERBOVY PHOTOGRAPHED BY INEZ VAN LANSWEERDE & VINOODH MATADIN | BALMAIN | SS 2011

I THINK THE TREE IS AN ELEMENT OF REGENERATION WHICH IN ITSELF IS A CONCEPT OF TIME | JOSEPH BEUYS

THE PERSISTENCE OF MEMORY. AN EMPTY BEACH WITH ITS FUSED SAND. HERE CLOCK TIME IS NO LONGER VALID. | HANNAH HOLMAN PHOTOGRAPHED BY KARIM SADLI

VOGUE BRAZIL | APRIL 2011 | REMIXED

YURI PLESKUN & HELOUISE GUERIN BY ROBERT HAMADA WITH STYLING BY SIKI IM FOR THE FASHIONISTO

WE DIG DOWN IN THE OCEAN. SWING UP TO THE STARS. WE OWN THE MOON AND THE EARTH. WE’RE MASTERS OF MARS. WE’RE BODIES IN MOTION. WE EMBODY THE SPIRIT OF MOTION