Showing posts with label HANNAH HOLMAN. Show all posts
Showing posts with label HANNAH HOLMAN. Show all posts

THE PERSISTENCE OF MEMORY. AN EMPTY BEACH WITH ITS FUSED SAND. HERE CLOCK TIME IS NO LONGER VALID. | HANNAH HOLMAN PHOTOGRAPHED BY KARIM SADLI


“The Persistence of Memory. An empty beach with its fused sand. Here clock time is no longer valid. Even the embryo, symbol of secret growth and possibility, is drained and limp. These images are the residues of a remembered moment of time. For Talbot the most disturbing elements are the rectilinear sections of the beach and sea. The displacement of these two images through time, and their marriage with his own continuum, has warped them into the rigid and unyielding structures of his own consciousness. Later, walking along the overpass, he realized that the rectilinear forms of his conscious reality were warped elements from some placid and harmonious future.”

ATROCITY EXHIBITION, J.C Ballard.

SO INNOCENT, SO FULL OF NEED


You are my sister, we were born
So innocent, so full of need
There were times we were friends but times I was so cruel
Each night I'd ask for you to watch me as I sleep
I was so afraid of the night
You seemed to move through the places that I feared
You lived inside my world so softly
Protected only by the kindness of your nature

TILDA SWINTON by GLEN LUCHFORD
HANNAH HOLMAN by KARIM SADLI